EXHIBITIONS 2022
A number of my videos now on https://videobabel.net/...
RETURN TO SENDER 2022
Turbine or not Turbine That is the Question
DUKE BOX EGLINTON
STARLING TONE
Walk the dog
L Cpl Thomas Power 1921 1944 tribute
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videobabel.net/?fbclid=IwAR0arEk58awboqPP3-TpwV4WagCmXqkIVMozz3t9yD-5FabDcSng67qk3es
RETURN TO SENDER 2022
Turbine or not Turbine That is the Question
DUKE BOX EGLINTON
STARLING TONE
Walk the dog
L Cpl Thomas Power 1921 1944 tribute
plus
videobabel.net/?fbclid=IwAR0arEk58awboqPP3-TpwV4WagCmXqkIVMozz3t9yD-5FabDcSng67qk3es
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WAR OF THE WORLDS 3
SCREENED AT 12/05 ONSPACE Gallery Kiel/Germany, 15.05 Fanfulla5//Rome, 21.05.2022 BOLDERAJA Book Gallery/Riga, May 2022 Luckan Swedish Centre/Helsinki 4.06 S auna Gallery/Helsinki, 10.06 Central Garden/ Vienna, 13.06 Kunstbetrieb Gallery/ Vienna, 18.06 Riga Performance Festival/Riga |
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ASHES TO ASHES
60 Secondes Radio Gaëtan Gosselin and member of the jury of the 2022 edition of La croche oreille introduces you (artists from all over the world) to the Quebec, Canadian and international audiences in edition 284 of the show CKRL FM on the airs of 60 Secondes Radio A whole hour to all of you! www.60secondesradio.com/playlist-2022 La Croche Oreille invites you to listen to a selection of sound works taken from the 8th edition of the competition among some 220 proposals. (Photo: Illustration 60 Seconds Radio (detail) © 2022)lacrocheoreille.wordpress.com/2022/12/05/emission-284-le-dimanche-11-decembre-2022/ |
THE EGLINTON CANAL TRASH MUSEUM
2022 July Galway introduction - collection of found objects - CANÁIL collaborative performance by Noel Molloy and the students of William and Mary University Williamsburg Virginia USA at the Eglinton Canal Galway for Biseach Art Cycle Project 9th July 2022 - working titles of future projects. This publication contains all of the found objects as they were found by the William and Mary University Students and Galway Kyack Club and after they were cleaned for use in creating sculpture. As the sculptures are made photographs will be posted on the website biseachartcycle.weebly.com/
the publication issuu.com/noelmolloy/docs/biseach_book_-_copy
2022 July Galway introduction - collection of found objects - CANÁIL collaborative performance by Noel Molloy and the students of William and Mary University Williamsburg Virginia USA at the Eglinton Canal Galway for Biseach Art Cycle Project 9th July 2022 - working titles of future projects. This publication contains all of the found objects as they were found by the William and Mary University Students and Galway Kyack Club and after they were cleaned for use in creating sculpture. As the sculptures are made photographs will be posted on the website biseachartcycle.weebly.com/
the publication issuu.com/noelmolloy/docs/biseach_book_-_copy
PROGRESS ON CONTEMPORARY AND FUTURE SOCIETY
loosenart.cargo.site/3-Progress-On-Contemporary-and-Future-Society
2 December 2022 - 12 January 2023
.International Group Exhibition
- Next at Millepiani -
Rome, Italy
2 – 12 December
Aisling Edwards, Annette LeMay Burke, Carrie Tomberlin, Dmitry Lookianov, Eric Tomberlin, Jessica Swank, Joanna Borowiec, Luke Ryan, Matej Filipič, Tianhu Yuan, Tomislav Marcijuš, Tommaso Rada
13 – 22 December
Borna Bursac, Chiara Ferrin, Dan Farnum, Forest Kelley, Huseyin Guler, James Bryan, John Harrison, Kylo-Patrick Hart, Leonardo Fiori, Marthanna Yater, Oliver Mansell, Patricia Abreu, Pietro Gardoni, Vigmantas Balevičius, Yi Le, Yichen Zhou, Yuquan Duan
4 – 12 January
Bela Balog, Daniele Muriano, Darina Kharaman, Filippo Tommasoli, Gabriella Presnal, Gjert Rognli, H A Pratama Boris, Haoyu Wang, Jane Flynn, Josh Spindler, Liu Entung, Luna Maluna Gri, Marie Simonova, Mirko Sperlonga, Mohammad Yassine Thabet, Noel Molloy, Nuno M Santos, Philip Ringler and James Saxon, Radoslav Rochallyi, Ramòn Gonzàlez Palazòn, Richard Aardsma, Vladislav Shapovalov
www.loosenart.com/pages/news-progress-on-contemporary-and-future-society
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2 December 2022 - 12 January 2023
.International Group Exhibition
- Next at Millepiani -
Rome, Italy
2 – 12 December
Aisling Edwards, Annette LeMay Burke, Carrie Tomberlin, Dmitry Lookianov, Eric Tomberlin, Jessica Swank, Joanna Borowiec, Luke Ryan, Matej Filipič, Tianhu Yuan, Tomislav Marcijuš, Tommaso Rada
13 – 22 December
Borna Bursac, Chiara Ferrin, Dan Farnum, Forest Kelley, Huseyin Guler, James Bryan, John Harrison, Kylo-Patrick Hart, Leonardo Fiori, Marthanna Yater, Oliver Mansell, Patricia Abreu, Pietro Gardoni, Vigmantas Balevičius, Yi Le, Yichen Zhou, Yuquan Duan
4 – 12 January
Bela Balog, Daniele Muriano, Darina Kharaman, Filippo Tommasoli, Gabriella Presnal, Gjert Rognli, H A Pratama Boris, Haoyu Wang, Jane Flynn, Josh Spindler, Liu Entung, Luna Maluna Gri, Marie Simonova, Mirko Sperlonga, Mohammad Yassine Thabet, Noel Molloy, Nuno M Santos, Philip Ringler and James Saxon, Radoslav Rochallyi, Ramòn Gonzàlez Palazòn, Richard Aardsma, Vladislav Shapovalov
www.loosenart.com/pages/news-progress-on-contemporary-and-future-society
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CONVERSA ABIERTA : Obras Seleccionadas - Cine+Perfo2022
CONVERSA ABIERTA : Obras Seleccionadas - Cine+Perfo2022 www.youtube.com/watch?v=Kofl9P3Y9f8&ab_channel=CINEplusPERFO%2FFestivalInternacionalBsAs-AR
meeting with the jury and the selected artists. We recognized each other through the cameras and the individual and group mentions of the jury on some pieces were announced. The pieces will remain published on our channel throughout the year 2023 until the end of October, one month before the 2023 Edition of the Festival begins.
During that time, from approximately March, we will resume the production of Virtual CONVERSATIONS with various protagonists of the international Performance and from June with the ANALYTICAL CONVERSATIONS on Works and Artists of this 2022 Edition, in group mode.
meeting with the jury and the selected artists. We recognized each other through the cameras and the individual and group mentions of the jury on some pieces were announced. The pieces will remain published on our channel throughout the year 2023 until the end of October, one month before the 2023 Edition of the Festival begins.
During that time, from approximately March, we will resume the production of Virtual CONVERSATIONS with various protagonists of the international Performance and from June with the ANALYTICAL CONVERSATIONS on Works and Artists of this 2022 Edition, in group mode.
Topic: Design / Moving Image
Deadline: 31 August 2022
www.laznia.pl/projekty/inoutfestival/?fbclid=IwAR2LpND2r8eRZ0PeiQm2_ayM4VxCL0MWgD7nfBKNz5ABftRzAWvo3YcY8z0
The competition is in two stages: out of all works submitted until 31 August 2022, the pre-selection jury will choose 20 experimental films shortlisted for the final. These works will be shown at special festival screenings. If epidemiological restrictions allow it, the finalists will be invited to the festival in Gdańsk.
Awards:
1st prize: PLN 6,000 (approx. EUR 1,400) funded by the Marshal of Pomeranian Voivodeship Mieczysław Struk.
2nd prize: PLN 5,000 (approx. EUR 1,000) funded by LAZNIA CCA.
3rd prize, named after Prof. Witosław Czerwonka: PLN 4,000 (approx. EUR 900) funded by the Academy of Fine Arts in Gdańsk.
The jury will also award special mentions.
The Witosław Czerwonka Award is given to the most captivating and innovative take on the competition subject. The award, granted by the pre-selection jury, may also go to a participant who has not been shortlisted for the final stage.
The competition is addressed to artists aged 18 and over.
Running time: submitted films should be over 1’ and under 20’.
Production year: the work should not be older than three years.
Below is a list of films qualified for the second stage of the competition:
Deadline: 31 August 2022
www.laznia.pl/projekty/inoutfestival/?fbclid=IwAR2LpND2r8eRZ0PeiQm2_ayM4VxCL0MWgD7nfBKNz5ABftRzAWvo3YcY8z0
The competition is in two stages: out of all works submitted until 31 August 2022, the pre-selection jury will choose 20 experimental films shortlisted for the final. These works will be shown at special festival screenings. If epidemiological restrictions allow it, the finalists will be invited to the festival in Gdańsk.
Awards:
1st prize: PLN 6,000 (approx. EUR 1,400) funded by the Marshal of Pomeranian Voivodeship Mieczysław Struk.
2nd prize: PLN 5,000 (approx. EUR 1,000) funded by LAZNIA CCA.
3rd prize, named after Prof. Witosław Czerwonka: PLN 4,000 (approx. EUR 900) funded by the Academy of Fine Arts in Gdańsk.
The jury will also award special mentions.
The Witosław Czerwonka Award is given to the most captivating and innovative take on the competition subject. The award, granted by the pre-selection jury, may also go to a participant who has not been shortlisted for the final stage.
The competition is addressed to artists aged 18 and over.
Running time: submitted films should be over 1’ and under 20’.
Production year: the work should not be older than three years.
Below is a list of films qualified for the second stage of the competition:
- Joseph Ayerle, Surviving The Purple Prophecy
- Laure Catugier, Split
- Joe Cimino, When Light Takes Form
- Pablo-Martín Córdoba, Postdigital Flipbook
- Thorsten Fleisch, Deep Learning Death
- Alicja Gaszta, What Does Design mean to You?
- Justyna Grodecka, Copyright (C) Justyna Grodecka
- Ksawery Kirklewski, Symphony in Acid
- Danila Lipatov, OVERWHELMING ATTRACTION
- Sarah Lasley, How I Choose to Spend the Remainder of my Birthing Years
- Ilya Martynov, HUMAN DEATH
- Noel Molloy, Walk the Dog
- Weronika Nowacka, Coffee coffee coffee
- Anna Nowakowska, Lu Rong
- Polski Teatr Tańca, Polski Teatr Tańca, Zielnik
- Mauricio Sanhueza, Labyrinth
- Aleksandra Sarna, Fälla Snara / Dom Depot 2.0
- Vitalii Shupliak, Hot screen
- S4RA, privacy-GrDN.info
- Chunju Yu, A Soul of 73GB
ANNOUNCEMENT OF SELECTED WORKS
CALL 2022: ANNOUNCEMENT of SELECTED WORKS
November 26, 2022. Buenos Aires ARGENTINA
JURY 2022 cineplusperfo.com/
Tzu-Chi Yeh (TW) / Marla Freire Smith (CL) / Vest&Page (DE–IT) / Eliseo Solís Mora (VE) / Peter Baren (NL)
It has been a pleasure to view all the pieces received and an intense selection process that left us with 35 SELECTED PIECES out of a total of 103 received and 8 SPECIAL MENTIONS from the JURY.
The names of the artists representing the 35 SELECTED PIECES are:
– Jhafis Quintero Gonzalez y Johanna Barilier (Panama-Suiza)
«Stone»
– MURTA – Kareen Labbé Weber (Chile)
«LA TENTE»
– KIMVI – (UK/Vietnam)
«Aunties Tiles»
– Ale Montiel (Argentina)
«Lo que callas también suena»
– Marina Barsy Janer x Isil Sol Vil (Puerto Rico x Catalunya)
«SIMBIOSIS CANÍBAL»
– Lina Aybar Batista (Rep. Dominicana)
«Poderío»
– OPEN ACTIONS – John G. Boehme (Canada)
«Fort Rodd Hill 2012»
– Eugenia Grammenou – (Greece)
«to You»
– Javier Soria Vazquez (Argentina)
«Variable»
– Colectivo Grado Cero – John Henry Gerena Forero (Colombia-Canada)
«Del otro lado – Mémoire du confinement»
– Fernando Falconí, Falco (Ecuador)
«Tolerancia Cero»
– Víctor Martínez (Mexico)
«Velocidad de Escape / Cosmódromo Turbina»
– Noel Molloy (Ireland)
«Burning»
– Parlour Collective – Jack Catling (UK)
«Forest»
– Co-Lapsus – Mathieu Bohet, Sandrine Lehagre, Yassine Boussaadou (Francia) – «Colapsus»
– SITE – Ash McNaughton (UK)
» F A U L T L I N E S»
– Karla Camarillo, Eréndira Gómez, Gustavo Schaar, Edgar Portillo-Ángeles (Mexico) «Para(citar) La tempestad»
– Kuan-Ying Chen (Taiwan)
«Take A Breath»
– Yingmei (China/Germany)
“Yingmei and Her Friends in Chongqing”
– Andrea Cárdenas y Javier Sobrino (Argentina)
«Intersticios»
– PACHAQUEER – MoTa & CoCa (Ecuador)
«MONSTRAS»
– Domingo Mestre (España)
«UNA CAMINATA con Hamish Fulton»
– Gal Sanhueza Ganga (Argentina)
«Preña Mutosi Documental»
– Sinéad O’Donnell, Sutasinee Karnsomdee, Michael Hornblow, Padungsak Kochsomrong, Chumpon Apisuk (Ireland-Thailand)
«Closer Distancing.»
– Jesica Marcantoni (Argentina)
«El arte de Performance en Córdoba»
– Armando Tanus (Mexico)
«Procesión de Santonatrón»
– Bizarras – Andrea Trotta (Argentina)
«BIZARRXS»
– Grupo G.R.A.S.A. – Raquel Masci (Argentina)
«Ciudad feminista»
– La colectiva (Colombia)
«La voz del Río»
– Patricia Rabbiosi (Argentina)
«PRESENCIAS AUSENTES INTERVENCIONES»
– Fernando Costaa Gabriel Arroyo Galhardo, Rodrigo Marques, Fabiana Cam
CALL 2022: ANNOUNCEMENT of SELECTED WORKS
November 26, 2022. Buenos Aires ARGENTINA
JURY 2022 cineplusperfo.com/
Tzu-Chi Yeh (TW) / Marla Freire Smith (CL) / Vest&Page (DE–IT) / Eliseo Solís Mora (VE) / Peter Baren (NL)
It has been a pleasure to view all the pieces received and an intense selection process that left us with 35 SELECTED PIECES out of a total of 103 received and 8 SPECIAL MENTIONS from the JURY.
The names of the artists representing the 35 SELECTED PIECES are:
– Jhafis Quintero Gonzalez y Johanna Barilier (Panama-Suiza)
«Stone»
– MURTA – Kareen Labbé Weber (Chile)
«LA TENTE»
– KIMVI – (UK/Vietnam)
«Aunties Tiles»
– Ale Montiel (Argentina)
«Lo que callas también suena»
– Marina Barsy Janer x Isil Sol Vil (Puerto Rico x Catalunya)
«SIMBIOSIS CANÍBAL»
– Lina Aybar Batista (Rep. Dominicana)
«Poderío»
– OPEN ACTIONS – John G. Boehme (Canada)
«Fort Rodd Hill 2012»
– Eugenia Grammenou – (Greece)
«to You»
– Javier Soria Vazquez (Argentina)
«Variable»
– Colectivo Grado Cero – John Henry Gerena Forero (Colombia-Canada)
«Del otro lado – Mémoire du confinement»
– Fernando Falconí, Falco (Ecuador)
«Tolerancia Cero»
– Víctor Martínez (Mexico)
«Velocidad de Escape / Cosmódromo Turbina»
– Noel Molloy (Ireland)
«Burning»
– Parlour Collective – Jack Catling (UK)
«Forest»
– Co-Lapsus – Mathieu Bohet, Sandrine Lehagre, Yassine Boussaadou (Francia) – «Colapsus»
– SITE – Ash McNaughton (UK)
» F A U L T L I N E S»
– Karla Camarillo, Eréndira Gómez, Gustavo Schaar, Edgar Portillo-Ángeles (Mexico) «Para(citar) La tempestad»
– Kuan-Ying Chen (Taiwan)
«Take A Breath»
– Yingmei (China/Germany)
“Yingmei and Her Friends in Chongqing”
– Andrea Cárdenas y Javier Sobrino (Argentina)
«Intersticios»
– PACHAQUEER – MoTa & CoCa (Ecuador)
«MONSTRAS»
– Domingo Mestre (España)
«UNA CAMINATA con Hamish Fulton»
– Gal Sanhueza Ganga (Argentina)
«Preña Mutosi Documental»
– Sinéad O’Donnell, Sutasinee Karnsomdee, Michael Hornblow, Padungsak Kochsomrong, Chumpon Apisuk (Ireland-Thailand)
«Closer Distancing.»
– Jesica Marcantoni (Argentina)
«El arte de Performance en Córdoba»
– Armando Tanus (Mexico)
«Procesión de Santonatrón»
– Bizarras – Andrea Trotta (Argentina)
«BIZARRXS»
– Grupo G.R.A.S.A. – Raquel Masci (Argentina)
«Ciudad feminista»
– La colectiva (Colombia)
«La voz del Río»
– Patricia Rabbiosi (Argentina)
«PRESENCIAS AUSENTES INTERVENCIONES»
– Fernando Costaa Gabriel Arroyo Galhardo, Rodrigo Marques, Fabiana Cam
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IMMA – EARTH RISING
by bbeyond | Oct 15, 2022 | News, Performance IMMA Earth Rising, Bbeyond, Performance Art BBEYOND GROUP PERFORMANCE – IMMA EARTH RISING BBEYOND IMMA PERFORMANCE – EARTH RISING | PARTICIPATING ARTISTS ALASTAIR MACLENNAN – AMANDA COOGAN – BERNADETTE HOPKINS – BRIAN PATTERSON – BRONAGH LAWSON – DEEJ FABYC – EDUARDO CARDOSO AMATO – ELAINE MCGINN – ELENI KOLLIOPOULOU – EMMA BRENNAN – FRANCES MEZZETTI – HILARY GILLIGAN – HUGH O’DONNELL – JAMES KING – JAYNE CHERRY – KATRINA SHEENA SMYTH – KEIKE TWISSELMANN – MJ NEWELL – NIAMH SEANA MEEHAN – NINA QUIGLEY – NOEL MOLLOY – OLIVIA HASSETT – PAUL KING – PAULINE CUMMINS – RACHEL MACMANUS – SANDRA CORRIGAN BREATHNACH – SINÉAD O’DONNELL – ZARA LYNESS Bbeyond are happy to announce that we will be performing at IMMA as part of Earth Rising on Saturday the 22nd of October. Earth Rising is an IMMA Outdoors event that will see over 70 contributors, artist commissions, talks and workshops over three days. Bbeyond’s group performance will take place at 2PM on Saturday the 22nd of October. Please Note | For Audience attendees – Booking is essential Booking Link | imma.ticketsolve.com Full Event Information Link | imma.ie/whats-on/earth-rising BBEYOND PARTICIPATION ORGANISED BY SANDRA CORRIGAN BREATHNACH |
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Domum Festival
The list of short films participating in the 29th edition of the Digital Gate International Film Festival #Domum_Festival 05- Experimental film WAR OF THE WORLD S3 directed by Noel Stephen Molloy from Ireland #مهرجان_البوابة_الرقمية_للفيلم_القصير_الدولي #digital_gate_international_film_festival #أطول_تظاهرة_سينماتوغرافية_في_تاريخ_الجزائر #أول_مهرجان_شهري_للفيلم_القصير_الدولي_أونلاين_في_الجزائر_في_إفريقيا_و_في_كامل_الوطن_العربي #أول_مهرجان_سينمائي_صديق_للبيئة_في_الجزاىر #شجرة_لكل_فيلم #The_Twenty_Ninth_Edition_September_2022 |
The Conscious Environment -writing by artist Noel Molloy WHEN IS A THUG NOT A THUG… https://www.haus-a-rest.com/issue-29-writing-conscious-environment www.haus-a-rest.com/issue-29-writing-conscious-environment
The Conscious Environment by artist Noel Molloy - studied at Limerick School of Art and Design 1978 – 1982, has a Degree in Fine Art 1982. Works in sculpture/mixed media and performance art. He has exhibited and created performances extensively throughout Ireland, Western and Eastern Europe, and the U.S.A. https://www.noelmolloyart.com/about.html
WHEN IS A THUG NOT A THUG…
Japanese anemone (A. x hybrida): Late summer/early autumn flowers in shades of white and pink these perennials, are also called garden thugs. They will invade the space of neighboring plants, taking nutrients from the soil as they go - and it's extremely difficult to totally eradicate them.
Species of animal, plant and insect are being genetically modified for pleasure or to combat pests, is this interfering with the natural order of things and creating problems for the future.
Or is it, given our capacity to invent/create a natural process also. Some would believe there is untold damage being done or is the so called invasive species activities part of our evolution. invasive species is defined as “a. species that is non-native to the ecosystem under. consideration and whose introduction causes or is likely. to cause economic or environmental harm or harm to. human health.”
As we traversed the pandemic lockdowns we became prisoners of our environment, prevented from leaving our homes some of us became more aware of our living spaces be it an apartment, house or wherever we live. Some fortunate to have a garden could escape from the four walls of their space and interact with the wider environment while others invented ways of escaping their confinement. The space we occupy became more heightened in our consciousness and led to revamps; redecoration etc. new uses were developed to combat the isolation. Our environment became our safety blanket our guard against the invasion of covid and a safe haven. We will not look at our environment in the same way again and treat it with the respect it deserves. Social media provided an escape into the wider environment of galleries, museums etc. never had there being more interest in the Arts before. I was informed by some friends the postings on social media of my work old and new sustained them through the lockdown. New interests were discovered, working environments changed or abandoned in favor of life style changes with ambitions to be realized. The rediscovery of my immediate environment and researching some plants in my garden which are invasive is to me a metaphor of our vulnerability and our mortality. I wonder when talking to people and they remark how the pandemic was a reminder of simpler times, no sounds of traffic on the roads or airplanes in the sky and having a heightened awareness of their surroundings such as air free of traffic fumes or hearing the birds singing or the simple activity of walking in the countryside will they continue to discover that simplicity or slide back into the norm if there ever was such a thing as normal before. We need to continue to change to realize we are made of the same stuff and just because we can and do for our own profit, we need to stop the exploitation.
WHEN IS A THUG NOT A THUG…DESCRIPTION
Japanese anemone (A. x hybrida): Late summer/early autumn flowers in shades of white and pink these perennials, are also called garden thugs. They will invade the space of neighboring plants, taking nutrients from the soil as they go - and it's extremely difficult to totally eradicate them.
MEDIUM
found object/ plastic and metal sculpture
PRICE
1500 euro
YEAR
2022
The Conscious Environment by artist Noel Molloy - studied at Limerick School of Art and Design 1978 – 1982, has a Degree in Fine Art 1982. Works in sculpture/mixed media and performance art. He has exhibited and created performances extensively throughout Ireland, Western and Eastern Europe, and the U.S.A. https://www.noelmolloyart.com/about.html
WHEN IS A THUG NOT A THUG…
Japanese anemone (A. x hybrida): Late summer/early autumn flowers in shades of white and pink these perennials, are also called garden thugs. They will invade the space of neighboring plants, taking nutrients from the soil as they go - and it's extremely difficult to totally eradicate them.
Species of animal, plant and insect are being genetically modified for pleasure or to combat pests, is this interfering with the natural order of things and creating problems for the future.
Or is it, given our capacity to invent/create a natural process also. Some would believe there is untold damage being done or is the so called invasive species activities part of our evolution. invasive species is defined as “a. species that is non-native to the ecosystem under. consideration and whose introduction causes or is likely. to cause economic or environmental harm or harm to. human health.”
As we traversed the pandemic lockdowns we became prisoners of our environment, prevented from leaving our homes some of us became more aware of our living spaces be it an apartment, house or wherever we live. Some fortunate to have a garden could escape from the four walls of their space and interact with the wider environment while others invented ways of escaping their confinement. The space we occupy became more heightened in our consciousness and led to revamps; redecoration etc. new uses were developed to combat the isolation. Our environment became our safety blanket our guard against the invasion of covid and a safe haven. We will not look at our environment in the same way again and treat it with the respect it deserves. Social media provided an escape into the wider environment of galleries, museums etc. never had there being more interest in the Arts before. I was informed by some friends the postings on social media of my work old and new sustained them through the lockdown. New interests were discovered, working environments changed or abandoned in favor of life style changes with ambitions to be realized. The rediscovery of my immediate environment and researching some plants in my garden which are invasive is to me a metaphor of our vulnerability and our mortality. I wonder when talking to people and they remark how the pandemic was a reminder of simpler times, no sounds of traffic on the roads or airplanes in the sky and having a heightened awareness of their surroundings such as air free of traffic fumes or hearing the birds singing or the simple activity of walking in the countryside will they continue to discover that simplicity or slide back into the norm if there ever was such a thing as normal before. We need to continue to change to realize we are made of the same stuff and just because we can and do for our own profit, we need to stop the exploitation.
WHEN IS A THUG NOT A THUG…DESCRIPTION
Japanese anemone (A. x hybrida): Late summer/early autumn flowers in shades of white and pink these perennials, are also called garden thugs. They will invade the space of neighboring plants, taking nutrients from the soil as they go - and it's extremely difficult to totally eradicate them.
MEDIUM
found object/ plastic and metal sculpture
PRICE
1500 euro
YEAR
2022
NIGHT AND DAY Festival in Clonalis House Visual Artistic Consultant www.facebook.com/NightDayFestnightandday.ie/
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LOOSENART www.loosenart.com/
PROGRESS. ON CONTEMPORARY AND FUTURE SOCIETY video 'Starling Tone' selected for https://loosenart.cargo.site/3-Progress-On-Contemporary... PROGRESS. ON CONTEMPORARY AND FUTURE SOCIETY with LOOSEN ART the 3rd - 12th January 2023 in Rome city. |
POST WIND- part 3 of trilogy - performed by Noel Molloy and Aodha Molloy -Technical assistance Aodha Molloy - venue Four Mile House Roscommon Ireland 2022
24. Međunarodni festival multimedijalne umetnosti - IMAF 2022
24th International Multimedial Art Festival - IMAF 2022
03. 09. 2022 - 11. 09. 2022.
Odzaci - Novi Sad imaf-festival.weebly.com/
At the beginning of this year, when we launched an open competition for the online program, the pandemic is expected to subside, which awakens new optimism. However, at the same time, a crisis in international political relations, on the soil of Eastern Europe, is becoming current. There is an aggression of the Russian military forces on Ukraine and, unfortunately, war. In such a very complicated international situation, the topic of an open competition for online video works comes to mind. We give the name "No Pandemic - No War" which is a reflection of our wish that by the beginning of the 24th International Festival of Multimedia Arts - IMAF 2022, both of these crisis events, which are very difficult for humanity, will end.
30 video works, 37 artists from 18 countries around the world, were selected at the competition for the online presentation of video works, entitled "No Pandemic - No War". The online presentation of video works, on the official YouTube channel of the IMAF festival, will be realized between September 3rd and 8th, 2022.
In addition to the online presentation, on September 3rd, an artistic event called "Day of The Rabbit " will be held in Odzaci for the second time, designed and led by Spike Mclarrity, an artist from United Kingdom. An open children's art workshop will be organized as part of the "Day of The Rabbit " manifestation on September 3rd, on the plateau of the Odzaci Sports Center.
The primary part of the 24th International Multimedia Art Festival - IMAF 2022 will certainly be the presentation of artworks, performances and live art actions. Over 30 artists from all over the world applied for the open competition, which was current at the beginning of the year. 16 artists from Italy, Greece, Germany, Spain, United Kingdom, Hungary and Serbia were selected to participate live this year. The presentation of artistic actions and live performances will be held from September 9th to 11th at two different locations in Odžaci and Novi Sad. On September 9th, the program will be held in the area of the abandoned Motel "Šumice" in Odžaci. On September 10th and 11th, there will be live art performances at the SULUV gallery in Novi Sad.
Učesnici festivala IMAF 2022 uživo / Participants of the IMAF 2022 festival live:
AnimaeNoctis (Silvia Marcantoni Taddei & Massimo Sannelli), Italy
Eugenia Grammenou & Eno Athanasiadou, Greece
Gaby Bila Gunther, Australia - Germany
Johannes Christopher Gérard, Germany
Jordina Ros & Pere Estadella, Spain
Lena Ljubičić & Gustav Jovanović, Serbia
Nenad Bogdanović, Serbia
Saša Denić-Špena, Serbia
Spike Mclarrity, United Kingdom
Syporca Whandal and Zopán Nagy, Hungary
Werther Germondari, Italy
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Učesnici festivala IMAF 2022 onlajn video radovi / IMAF 2022 festival participants online video works:
Alexandra Holownia, Germany
Alina Tofan, Alina Uşurelu, Ioana Buraga, Georgiana Vlahbei, Romania
AnimaeNoctis (Silvia Marcantoni Taddei & Massimo Sannelli), Italy
Anita Cheng, Hong Kong
Benna Gaean Maris, Italy
Bernardo Stumpf, Brasil
Bill Hill, USA
Calum Eccleston, United Kingdom
Citron - Lunardi (Selene Citron and Luca Lunardi), Italy
Craphone Liu, Taiwan
Dimple B Shah, India
Eva Dabara, Israel
Eva Herczeg & Kende Szabo, Hungary
Guilherme Albuquerque, Brasil
Ique Larica Gazzola, Brasil
Janusz Plota, Poland
Jean-Michel Rolland, France
Johannes C. Gerard, Germany
Julian Scordato, Italy
Khalil Charif, Brasil
Matteo Campulla, Italy
Noel Molloy and Aodha Molloy, Ireland
Paco Justicia Cazorla, Spain
Patrícia Siqueira, Brasil
Satadru Sovan Banduri, India
Showrav Kumar Shaha, Bangladesh
Sinasi Gunes, Turkey
Sreekanta Acharjee, Bangladesh
To K Du, Vietnam
Wayner Tristao, Brasil
CONversas ANALITICAS : ANALYTIC CONversations Cine+Perfo Artists 2021
Cine+ Performance-art : Festival Internacional de Performance-art y Formatos Audiovisuales / FIPFA 2021
CONversas ANALITICAS : ANALYTIC CONversations Cine+Perfo Artists 2021
FB
https://www.facebook.com/cine.plus.perfo
IG @cine.plus.perfo
https://www.instagram.com/cine.plus.perfo/
YouTube CINEplusPERFO / Festival Internacional BsAs-AR
https://www.youtube.com/channel/UCHv_dSZmFSQvXrokq0FJqmg
Dimple B Shah <[email protected]>, Noel Molloy <[email protected]>, Peter Baren <[email protected]>, Tzu-chi Yeh <[email protected]>, gustaf broms <[email protected]>
CONversas ANALITICAS : ANALYTIC CONversations Cine+Perfo Artists 2021
FB
https://www.facebook.com/cine.plus.perfo
IG @cine.plus.perfo
https://www.instagram.com/cine.plus.perfo/
YouTube CINEplusPERFO / Festival Internacional BsAs-AR
https://www.youtube.com/channel/UCHv_dSZmFSQvXrokq0FJqmg
Dimple B Shah <[email protected]>, Noel Molloy <[email protected]>, Peter Baren <[email protected]>, Tzu-chi Yeh <[email protected]>, gustaf broms <[email protected]>
Shortlist for sculpture THERE'S NO GOING BACK
The 2nd Velázquez Painting & Sculpture Competition has received enthusiastic responses and active support from artists all over the world since the announcement of the competition was released to the world on January 4, 2022. According to the statistics of the Organizing Committee of the competition, the competition has come from: China, Spain, the United Kingdom, the United States, Canada, Italy, Portugal, Poland, Greece, Romania, Ireland, the Netherlands, Germany, the Czech Republic, Sweden, Russia, Hungary, Bosnia and Herzegovina, Finland, Bulgaria, Latvia, Iran, Bangladesh, Thailand, India, Philippines, Pakistan, Mexico, Cuba, Chile, Peru, Colombia, Uruguay, Panama, Argentina, Honduras, Morocco, Ecuador, Nigeria, South Africa, Australia and more than 40 Artists (teacher and student of art academies) from 10 countries, covering six continents including Asia, Africa, Latin America, Europe, North and South America, and Australia; a total of 972 artists (teacher and student of art academies), with 2,356 entries (pieces) ), including 193 international artists and 569 entries, accounting for a quarter of the total entries.
According to the competition evaluation rules, the judges carefully screened and evaluated all the entries. From more than 2,300 entries, 567 shortlisted entries were selected. The results of the first round of selection are now announced:
shengxinyuart.com/index/news/detail?id=MzI2
Domum Festival
05 - Experimental film "Oh Well A Stitch In Time" directed by Noel Stephen Molloy from Ireland
#مهرجان_البوابة_الرقمية_للفيلم_القصير_الدولي
#digital_gate_international_film_festival
#أطول_تظاهرة_سينماتوغرافية_في_تاريخ_الجزائر
#أول_مهرجان_شهري_للفيلم_القصير_الدولي_أونلاين_في_الجزائر_في_إفريقيا_و_في_كامل_الوطن_العربي
#أول_مهرجان_سينمائي_صديق_للبيئة_في_الجزائر
#شجرة_لكل_فيلم
#The_Twenty_Seventh_Edition_July_2022
05 - Experimental film "Oh Well A Stitch In Time" directed by Noel Stephen Molloy from Ireland
#مهرجان_البوابة_الرقمية_للفيلم_القصير_الدولي
#digital_gate_international_film_festival
#أطول_تظاهرة_سينماتوغرافية_في_تاريخ_الجزائر
#أول_مهرجان_شهري_للفيلم_القصير_الدولي_أونلاين_في_الجزائر_في_إفريقيا_و_في_كامل_الوطن_العربي
#أول_مهرجان_سينمائي_صديق_للبيئة_في_الجزائر
#شجرة_لكل_فيلم
#The_Twenty_Seventh_Edition_July_2022
The 2nd Velazquez Painting & Sculpture Competition was officially launched (Tribute to Velazquez-The 2nd Global Painting and Sculpture Competition) 2022shengxinyuart.com/index/contest.collections?contest_id=Mw==
ASHES TO ASHES sound excerpt from performance
THE 60 SECOND RADIO PROPOSITION IS VERY SIMPLE. WE ARE COMMITTED TO NEW WAYS TO APPROACH RADIO A MEDIUM OF TRANSMISSION AND TO PRODUCE RADIOWORKS. WE WISH TO OFFER TO ALL RADIO PRACTITIONERS, ARTISTS AND ARTISANS, WHO ARE AT THE FOREFRONT OF INNOVATION, TO THOSE WHO HAVE IN THEIR HANDS, IN THE HOLLOW OF THEIR VOICES AND INSTRUMENTS, NEW NARRATIVE PROPOSALS, A CHANNEL TO REWARD THEM, A WAY TO REBROADCAST THEM, TO ALLOW A MOMENT THAT IS EXCLUSIVELY DEDICATED TO THOSE WHO USE THE MEDIUM TO PROMOTE ITS ARTISTIC VALUE.And 60s radio is open to productions in all languages and from every country and continent, because we are not alone in our love for radio and also, because this is where we are from… Radio art’s mission is sometimes to shake the imaginary, to guide it at the end of the airwaves and programmed recordings. Radio art sets the stage for a new radio practice and highlights the multiple possibilities of broadcasting. It transcribes, with sounds, colors, voices, poetry, a certain multiplicity of listening skills and proposals. It is at times and we know it, an act of faith. We, at 60 Second Radio, are from the school of inventiveness, in favor of the musicality of radio, of transcultural broadcasting. We appreciate all forms of broadcasting but dedicate this event to radio art. We are located at its narrative confluences and for the staging of sound. Radio is an artwork, a world to listen, to express ideas and invent. We are sometimes silent and impressionistic, otherwise verbal and descriptive, raw or docile, aesthetic or annoying. We take center stage or observe it through the keyhole.
Radio art can express itself in thousands of ways (sound poetry, field, sound art, radio art, fiction, creative docs, mutant radio…), and this rendez-vous is above all a statement to confess our renewed thirst for radio.www.60secondesradio.com/playlist-2022
THE 60 SECOND RADIO PROPOSITION IS VERY SIMPLE. WE ARE COMMITTED TO NEW WAYS TO APPROACH RADIO A MEDIUM OF TRANSMISSION AND TO PRODUCE RADIOWORKS. WE WISH TO OFFER TO ALL RADIO PRACTITIONERS, ARTISTS AND ARTISANS, WHO ARE AT THE FOREFRONT OF INNOVATION, TO THOSE WHO HAVE IN THEIR HANDS, IN THE HOLLOW OF THEIR VOICES AND INSTRUMENTS, NEW NARRATIVE PROPOSALS, A CHANNEL TO REWARD THEM, A WAY TO REBROADCAST THEM, TO ALLOW A MOMENT THAT IS EXCLUSIVELY DEDICATED TO THOSE WHO USE THE MEDIUM TO PROMOTE ITS ARTISTIC VALUE.And 60s radio is open to productions in all languages and from every country and continent, because we are not alone in our love for radio and also, because this is where we are from… Radio art’s mission is sometimes to shake the imaginary, to guide it at the end of the airwaves and programmed recordings. Radio art sets the stage for a new radio practice and highlights the multiple possibilities of broadcasting. It transcribes, with sounds, colors, voices, poetry, a certain multiplicity of listening skills and proposals. It is at times and we know it, an act of faith. We, at 60 Second Radio, are from the school of inventiveness, in favor of the musicality of radio, of transcultural broadcasting. We appreciate all forms of broadcasting but dedicate this event to radio art. We are located at its narrative confluences and for the staging of sound. Radio is an artwork, a world to listen, to express ideas and invent. We are sometimes silent and impressionistic, otherwise verbal and descriptive, raw or docile, aesthetic or annoying. We take center stage or observe it through the keyhole.
Radio art can express itself in thousands of ways (sound poetry, field, sound art, radio art, fiction, creative docs, mutant radio…), and this rendez-vous is above all a statement to confess our renewed thirst for radio.www.60secondesradio.com/playlist-2022
Thursday00:03:00; 4;4 Noel Molloy - Ashes to Ashes excerpt from performance;-; 01:00 on Wednesday 10th August to Thursday 11 August 2022
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Domum Festival
sStndi6a7960u43iimg3ht ·
#مهرجان_البوابة_الرقمية_للفيلم_القصير_الدولي
#digital_gate_international_film_festival
#أطول_تظاهرة_سينماتوغرافية_في_تاريخ_الجزائر
#أول_مهرجان_شهري_للفيلم_القصير_الدولي_أونلاين_في_الجزائر_في_إفريقيا_و_في_كامل _الوطن_العربي
#أول_مهرجان_سينمائي_صديق_للبيئة_في_الجزاىر
#شجرة_لكل_فيلم
#The_Twenty_Fifth_Edition_May_2022
15- Experimental film " Return to Sender 2022 "
directed by Noel Stephen Molloy from Ireland 08:41
#digital_gate_international_film_festival
#أطول_تظاهرة_سينماتوغرافية_في_تاريخ_الجزائر
#أول_مهرجان_شهري_للفيلم_القصير_الدولي_أونلاين_في_الجزائر_في_إفريقيا_و_في_كامل_الوطن_العربي
#أول_مهرجان_سينمائي_صديق_للبيئة_في_الجزاىر
#شجرة_لكل_فيلم
#The_Twenty_Fifth_Edition_May_2022
#Official_Selection
The experimental film " Return to Sender 2022 " directed by Noel Stephen Molloy from Ireland has been officially selected
Surrealism and DADA
//https://www.instagram.com/p/CdtJg1SoAr9/? utm_source=ig_web_button_share_sheet Issue 26 - the
Surrealism and DADA issue //
Artist name: Noel Molloy
Description: Noel’s practice is performance art, influenced by the Dadaists and their actions such as Cabaret Voltaire and their use
of objects and costumes he also makes performance videos using photographs which are then animated and manipulated .
This simple work was done around the time of a major house move and the feelings of anxiety and the question did he make the right
move and somehow wanting to turn the clock back,
like reversing a photograph, but Time waits for no man.
Watch the film on www.haus-a-rest.com when the zine goes live!
//https://www.instagram.com/p/CdtJg1SoAr9/? utm_source=ig_web_button_share_sheet Issue 26 - the
Surrealism and DADA issue //
Artist name: Noel Molloy
Description: Noel’s practice is performance art, influenced by the Dadaists and their actions such as Cabaret Voltaire and their use
of objects and costumes he also makes performance videos using photographs which are then animated and manipulated .
This simple work was done around the time of a major house move and the feelings of anxiety and the question did he make the right
move and somehow wanting to turn the clock back,
like reversing a photograph, but Time waits for no man.
Watch the film on www.haus-a-rest.com when the zine goes live!
2ND INTERNATIONAL POP ART BIENNALE “NEGATIVE FORCE”
youtu.be/CmsuMlUjrCw
IAVPOA ART
International Association of Visual, Performing and Other Arts
E:[email protected]
iavpoaart.wixsite.com/iavpa
youtu.be/CmsuMlUjrCw
IAVPOA ART
International Association of Visual, Performing and Other Arts
E:[email protected]
iavpoaart.wixsite.com/iavpa
Walk the dog - Síul an Mhadra
Walk the dog
Ireland (2021)
Author(s)
Noel Molloy
Other participants of the technical and / or artistic teamPerformers: Electrolux (the dog) and Noel Molloy; photographs by Aodha Molloy; voice over by Noel Molloy; edited by Noel Molloy.Genre(s)
Experimental, Video art
Original language(s)Irish
Duration in minutes 5 min.
Synopsis
"Taking the dog for a walk" is a general expression meaning you are going somewhere you don't want your spouse to know about; typically something relatively innocent like sneaking off to the pub for a crafty pint. ... also has a number of sexual connotations; "to overpower" or "outsmart" someone ; to smoke marijuana etc. Subtitles in English, spoken texts in Irish.
Awards
selected Domum festival #the_digital_gate_international_film_festival #the_21st_edition_january_2022 #official_selection Domum Festival: www.facebook.com/groups/906890183117357/
Additional comments https://www.noelmolloyart.com/exhibitions.html
www.videobabel.net/film/walk-the-dog-siul-an-mhadra
Walk the dog
Ireland (2021)
Author(s)
Noel Molloy
Other participants of the technical and / or artistic teamPerformers: Electrolux (the dog) and Noel Molloy; photographs by Aodha Molloy; voice over by Noel Molloy; edited by Noel Molloy.Genre(s)
Experimental, Video art
Original language(s)Irish
Duration in minutes 5 min.
Synopsis
"Taking the dog for a walk" is a general expression meaning you are going somewhere you don't want your spouse to know about; typically something relatively innocent like sneaking off to the pub for a crafty pint. ... also has a number of sexual connotations; "to overpower" or "outsmart" someone ; to smoke marijuana etc. Subtitles in English, spoken texts in Irish.
Awards
selected Domum festival #the_digital_gate_international_film_festival #the_21st_edition_january_2022 #official_selection Domum Festival: www.facebook.com/groups/906890183117357/
Additional comments https://www.noelmolloyart.com/exhibitions.html
www.videobabel.net/film/walk-the-dog-siul-an-mhadra
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Eco Aware Art Gallery #soloshow #artexhibition #ecoawareartgallery First Solo show art exhibition of Artist Noel Molloy From Ireland, organised by Eco aware art gallery Growing up in Ireland there was a culture of not wasting anything, everything was reused or repurposed nothing was discarded. Tools were repaired or fashioned for other uses. Some use was found for all, natural materials were used for packaging etc. there was no plastics and everything was recycled. That’s what created my interest when studying at Art Collage when I discovered junk and found object Art. My materials for my work was collected from the city landfill site and picked up from various locations where there was house clearances etc. , as much as I can the works were and continue to be made from waste materials and found objects. I have been working professionally as an Artist since 1983 and have been working this way in my sculpture and performance Art. |
ecoawareartgallery
First Solo show of 2022
Artist @noelmolloy61 from Ireland
16th March to 31st March 2022
www.ecoawareartgallery.com/
First Solo show of 2022
Artist @noelmolloy61 from Ireland
16th March to 31st March 2022
www.ecoawareartgallery.com/
Noel Molloy - Selected Audio Work 1983 - 1999 - release this Friday 4th February by Willie Stewart NYAHH RECORDS - a compilation of sound works used in performance -THE CD / INFO WILL BE AVAILABLE HERE Noel Molloy - Selected Audio Work 1983 - 1999 nyahhrecords.bandcamp.com/merch
thequietus.com/articles/31284-acid-granny-spilt-milk
Noel Molloy – Selected Audio Work 1983 - 1999
(Nyahh Records)
Since the late 70s, Roscommon multidisciplinary artist Noel Molloy has made strange, challenging works out of found objects and domestic detritus. Visit his website, and you’ll find contorted scrap metal sculptures of soldiers, dancers, kings and bears. You’ll see an Irish flag, painted across three bottles of holy water. You’ll see a baby’s pram, crudely repurposed into a sort of military vehicle. A rusty mask will stare back at you with a grotesque metallic grin. Molloy’s semi-figurative creations occupy an uncanny space that is tied to the familiar, but is outlandish enough to trigger unique, unpredictable responses. His feverishly out-there performance pieces engage the mind in a similar, synapse-sizzling way; costumes, set designs, abstract actions, cut-up audio and musical extracts allude to themes such as religion, conflict, history and environmentalism, but what it “means” is left entirely to the audience. Selected Audio Work 1983 - 1999, released on Leitrim’s Nyahh Records, stitches together the extracted sounds from some of these performances, leaving the mind to create its own wild, visual accompaniment. This is a collection of growling, hypnotic oddness, full of distorted voices, faint musical interjections and clattering environmental audio. It pulls you into its strange, tactile world, where the sounds of saw on wood, an inter-county fallout warning, and a crumpled clip of a 1930s pop tune become haunting choruses to a concrète symphony. It’s a fascinating document for the archives of experimental Irish art.
Noel Molloy – Selected Audio Work 1983 - 1999
(Nyahh Records)
Since the late 70s, Roscommon multidisciplinary artist Noel Molloy has made strange, challenging works out of found objects and domestic detritus. Visit his website, and you’ll find contorted scrap metal sculptures of soldiers, dancers, kings and bears. You’ll see an Irish flag, painted across three bottles of holy water. You’ll see a baby’s pram, crudely repurposed into a sort of military vehicle. A rusty mask will stare back at you with a grotesque metallic grin. Molloy’s semi-figurative creations occupy an uncanny space that is tied to the familiar, but is outlandish enough to trigger unique, unpredictable responses. His feverishly out-there performance pieces engage the mind in a similar, synapse-sizzling way; costumes, set designs, abstract actions, cut-up audio and musical extracts allude to themes such as religion, conflict, history and environmentalism, but what it “means” is left entirely to the audience. Selected Audio Work 1983 - 1999, released on Leitrim’s Nyahh Records, stitches together the extracted sounds from some of these performances, leaving the mind to create its own wild, visual accompaniment. This is a collection of growling, hypnotic oddness, full of distorted voices, faint musical interjections and clattering environmental audio. It pulls you into its strange, tactile world, where the sounds of saw on wood, an inter-county fallout warning, and a crumpled clip of a 1930s pop tune become haunting choruses to a concrète symphony. It’s a fascinating document for the archives of experimental Irish art.
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Domum festival
#the_digital_gate_international_film_festival #the_21st_edition_january_2022 #official_selection Experimental film " Walk The Dog " directed by Noel Stephen Molloy from Ireland www.facebook.com/groups/906890183117357/ |
LATITUDES, International Performance Art Festival of Santa Cruz de la Sierra will take place from January 19 to 23, 2022 in / from the city of Santa Cruz de la Sierra, Bolivia. Under the curatorial direction of well known artist and curator, Hector Canonge, the festival is presented by the platforms Performance Art Bolivia, PABA, and Arterial Performancee Lab, APLAB. This year the festival is supported by Centro Boliviano America, CBA, and the collaboration of local volunteers.
In its fourth edition, and under the denomination of LATITUDES HYBRIDAS - due to the present pandemic, the festival includes a program of tele-performances, video performances, an exhibition and a session of public interventions. The program also includes virtual conferences, workshop, and talks that will be streamed from the festival's hub, the Centro Boliviano Americano Santa Cruz.
Programa | Program:
Wednesday, January 12 | Wednesday, January 12, 6:00 PM
OPENING / OPENING - American Bolivian Center, CBA
Exhibition and Screenings / Exhibition and Screenings (In room until February 4th / On view until Feb. 4th)
Performances (Programa Virtual / Virtual Program, 7:00 PM)
Thursday, January 13 | Thursday, January 13
Exhibition and Screenings / Exhibition and Screenings (CBA, 10:00 AM - 4:30 PM. On view until Feb. 4th)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Friday, January 14 | Friday, January 14
Exhibition and Screenings / Exhibition and Screenings (10:00 AM - 4:30 PM. On view until Feb. 4th)
Conversatorio (CBA & Online, 2:00 - 4:30 PM)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Saturday, January 15 | Saturday, January 15
Urban Interventions / Public Interventions (Urban Park 2:00 - 5:00 PM)
Taller / Workshop (Virtual, 5:00 - 6:00 PM)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Sunday, January 16 | Sunday, January 16
Conference (Virtual Program, 5:00 - 7:00 PM)
CIERRE del festival / CLOSING of the festival
Performances (Programa Virtual, 7:30 - 9:00 PM)
Artistas participantes | Participating Artists:
Endika Basaguren (Spain), Alina Tofan (Romania), Riccardo Attanasio (Italy, England), Alexandra Trujillo Tamayo (Ecuador), David Fernandez (Indonesia), Noel Stephen Molloy (Ireland), Anabella Lenzu (Argentina), VestAndPage - Verena Stenke & Andr ea Pagnes (Germany, Italy), Narvis Bracamonte (Venezuela), Meghan Moe Beitiks (United States), Johannes Christopher Gerard (Germany), Gabriel Sasiambarrena (Argentina), Pablo Alvez Artinprocess (United / Portugal / Belgium Reunion), Paulo Alberto Gil Cuellar (Bolivia), Sylvain Souklaye (France), Fernando Hermógenes Aguiar da Silva (Brazil), Curro Rodriguez Sanchez (Spain), Collectif FARATA (Rep. Congo), Diego Argote (Chile), Ele ni Kolliopoulou (Greece), Alexandra Holownia (Poland / Germany), Dagmar I. Glausnitzer-Smith (Germany), AnimaeNoctis -Silvia Marcantoni Taddei & Massimo Sannelli (Italy), Laura Elizabeth Victory (Argentina), Marisa Nuñez Caminos with Susana Zapata (Argentina) Paola Correa (Colombia), Eva Dabara (Israel), Maria Bitka (Polon ia), Tatiana Koroleva (Canada), Kareen Lorena Labbe Weber (Chile), Emilee D Lord (United States), Gardenia British of Assis Barros (Brazil), Eugenia Grammenou (Greece), Mercedes Aquí (Mexico), Alexander Escalona (Venezuela), Antonio Jefferson Oliveira dos Santos (Brazil), Marlon Ariel Aragon Arley (Costa Rica), Kailas Sreekumar (India), Esmeralda Pérez Tamiz (Mexico), S. Chandrasekaran (Singapore), Sonja van Kerkhoff (New Zealand), Robert B. Lisek and Fundamental Research Lab (Poland), Andres Vera San Martin (Bolivia / Spain), Patrícia Corrêa (Portugal), Vincenzo Fiore Marrese (Italy / Germany), Paulo Ernesto Aranha Rodrigues (Brasil), Rosa Alejandra Fuentes Arze (Bolivia), Andrea Agui to Agudelo (Colombia), Gabriela Cecilia Muollo (Argentina), Adriana del Mar Rondon-Rivero (Venezuela), Yin-Sheng Liu (Taiwan), Paula Andrea Usuga Jimenes (Colombia), Mariana Saur Palmieri and Melanie Passardi (Argentina) and Wilson Tapia (Bolivia/France).
More information:
Whatsapp & Cell: +1 917 446 4472
Emai: [email protected]
In its fourth edition, and under the denomination of LATITUDES HYBRIDAS - due to the present pandemic, the festival includes a program of tele-performances, video performances, an exhibition and a session of public interventions. The program also includes virtual conferences, workshop, and talks that will be streamed from the festival's hub, the Centro Boliviano Americano Santa Cruz.
Programa | Program:
Wednesday, January 12 | Wednesday, January 12, 6:00 PM
OPENING / OPENING - American Bolivian Center, CBA
Exhibition and Screenings / Exhibition and Screenings (In room until February 4th / On view until Feb. 4th)
Performances (Programa Virtual / Virtual Program, 7:00 PM)
Thursday, January 13 | Thursday, January 13
Exhibition and Screenings / Exhibition and Screenings (CBA, 10:00 AM - 4:30 PM. On view until Feb. 4th)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Friday, January 14 | Friday, January 14
Exhibition and Screenings / Exhibition and Screenings (10:00 AM - 4:30 PM. On view until Feb. 4th)
Conversatorio (CBA & Online, 2:00 - 4:30 PM)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Saturday, January 15 | Saturday, January 15
Urban Interventions / Public Interventions (Urban Park 2:00 - 5:00 PM)
Taller / Workshop (Virtual, 5:00 - 6:00 PM)
Performances (Programa Virtual / Virtual Program, 6:00 PM)
Sunday, January 16 | Sunday, January 16
Conference (Virtual Program, 5:00 - 7:00 PM)
CIERRE del festival / CLOSING of the festival
Performances (Programa Virtual, 7:30 - 9:00 PM)
Artistas participantes | Participating Artists:
Endika Basaguren (Spain), Alina Tofan (Romania), Riccardo Attanasio (Italy, England), Alexandra Trujillo Tamayo (Ecuador), David Fernandez (Indonesia), Noel Stephen Molloy (Ireland), Anabella Lenzu (Argentina), VestAndPage - Verena Stenke & Andr ea Pagnes (Germany, Italy), Narvis Bracamonte (Venezuela), Meghan Moe Beitiks (United States), Johannes Christopher Gerard (Germany), Gabriel Sasiambarrena (Argentina), Pablo Alvez Artinprocess (United / Portugal / Belgium Reunion), Paulo Alberto Gil Cuellar (Bolivia), Sylvain Souklaye (France), Fernando Hermógenes Aguiar da Silva (Brazil), Curro Rodriguez Sanchez (Spain), Collectif FARATA (Rep. Congo), Diego Argote (Chile), Ele ni Kolliopoulou (Greece), Alexandra Holownia (Poland / Germany), Dagmar I. Glausnitzer-Smith (Germany), AnimaeNoctis -Silvia Marcantoni Taddei & Massimo Sannelli (Italy), Laura Elizabeth Victory (Argentina), Marisa Nuñez Caminos with Susana Zapata (Argentina) Paola Correa (Colombia), Eva Dabara (Israel), Maria Bitka (Polon ia), Tatiana Koroleva (Canada), Kareen Lorena Labbe Weber (Chile), Emilee D Lord (United States), Gardenia British of Assis Barros (Brazil), Eugenia Grammenou (Greece), Mercedes Aquí (Mexico), Alexander Escalona (Venezuela), Antonio Jefferson Oliveira dos Santos (Brazil), Marlon Ariel Aragon Arley (Costa Rica), Kailas Sreekumar (India), Esmeralda Pérez Tamiz (Mexico), S. Chandrasekaran (Singapore), Sonja van Kerkhoff (New Zealand), Robert B. Lisek and Fundamental Research Lab (Poland), Andres Vera San Martin (Bolivia / Spain), Patrícia Corrêa (Portugal), Vincenzo Fiore Marrese (Italy / Germany), Paulo Ernesto Aranha Rodrigues (Brasil), Rosa Alejandra Fuentes Arze (Bolivia), Andrea Agui to Agudelo (Colombia), Gabriela Cecilia Muollo (Argentina), Adriana del Mar Rondon-Rivero (Venezuela), Yin-Sheng Liu (Taiwan), Paula Andrea Usuga Jimenes (Colombia), Mariana Saur Palmieri and Melanie Passardi (Argentina) and Wilson Tapia (Bolivia/France).
More information:
Whatsapp & Cell: +1 917 446 4472
Emai: [email protected]
With Other Matter
Roscommon Arts Centre
For long periods in 2020 and 2021 social restrictions limited our interactions with people. Urged to stay at or close to home our engagements with the things and other matter that occupies these spaces intensified. This period has enabled a time to build new relationships with nature, plant species and other living things that surround us, allowing us closer observation and interaction with the often overlooked familiar things we live with and alongside.
The artists included in this exhibition were selected by Curator in Residence Naomi Draper through an open call to share works and processes inspired, influenced and involving ‘other matter’, plants and nature things. Through two group exhibitions in 2022 thirty-two artists will share their observations and interactions with other matter throughout 2020 and 2021.
EXHIBITION OPENS SATURDAY 29th JANUARY & CONTINUES UNTIL SATURDAY 12th MARCH
Roscommon Arts Centre
For long periods in 2020 and 2021 social restrictions limited our interactions with people. Urged to stay at or close to home our engagements with the things and other matter that occupies these spaces intensified. This period has enabled a time to build new relationships with nature, plant species and other living things that surround us, allowing us closer observation and interaction with the often overlooked familiar things we live with and alongside.
The artists included in this exhibition were selected by Curator in Residence Naomi Draper through an open call to share works and processes inspired, influenced and involving ‘other matter’, plants and nature things. Through two group exhibitions in 2022 thirty-two artists will share their observations and interactions with other matter throughout 2020 and 2021.
EXHIBITION OPENS SATURDAY 29th JANUARY & CONTINUES UNTIL SATURDAY 12th MARCH